In Stalin’s Soviet Union of the 1940s, a political prisoner stands trial in a system where justice is only a performance. Two prosecutors face each other in the courtroom: one embodies the cruelty and blind obedience of the regime, the other projects an illusion of compassion. As the accused clings to fragments of dignity, the trial becomes a stark confrontation not only between prosecutor and defendant, but also between truth and lies, morality and survival.Loznitsa transforms the courtroom into a stage where the machinery of totalitarian power is exposed. Two Prosecutors is both an intimate drama of individuals caught in an impossible moral trap and a universal reflection on responsibility, complicity, and the devastating consequences of a system that replaces justice with ideology.