The film begins with a documentary about a writer known for his autofiction stories. It then shifts into a metafilm that reveals the making of this documentary. Here, the director’s interventions and the manipulations of the interviewees expose the elements that shape the documentary itself. Finally, by incorporating the making-of of the metafilm, it reflects the author’s storytelling approach, blending the documentary’s creation with the author’s narrative technique. In this way, the relationship between reality and fiction is questioned.