Premiering in the Un Certain Regard section of the 78th Cannes Film Festival and awarded the FIPRESCI Prize, Urchin marks the directorial debut of Harris Dickinson, whom audiences have previously seen in Scrapper, Triangle of Sadness, and Babygirl.Set on the margins of London’s streets, the film follows the story of Mike, a homeless man struggling to survive. Though we know little about his past, the weight carried in his gaze and body language hints at a life woven with deep traumas. His attempts to restart after prison, reintegrate into society, undergo rehabilitation, and confront his inner battles unfold in layers throughout the film. Along Mike’s journey, cycles of loneliness and addiction, the failures of the system, and the fragile humanity of small sparks of humor and hope all find their place. The film invites viewers into this world with a calm gaze that chooses to understand rather than judge.Dickinson’s camera captures not only the drama but also the unexpected moments of life. His sharp eye is nourished by his experiences working with organizations that support the homeless and people struggling with addiction, and he builds the story with an intuition drawn from this reality. With delicate touches ranging from visual repetitions to the silent moments of its characters, Urchin shines not only as a debut feature but also as a strong promise of Dickinson’s cinematic future.