A post-trauma stream-of-consciousness drama that traces the uncanny from Magritte to Hopper and collides with Woolf’s To the Lighthouse… Sorry, Baby already signals the emergence of an original cinematic voice. Written, directed, and headlined by Eva Victor, her debut feature conveys the tension between sweetness and severity not only in dialogue, but also in framing, lighting, and silences. With her visual language, the director masterfully blends a non-linear narrative to build a poignant story about trauma, friendship, healing, and the transformative power of time. Unafraid to confront the audience with unsettling questions, the film does so not with heavy gloom but through a delicate sense of humor and carefully chosen imagery. Agnes’s personal journey reflects different ways of learning to live with broken pieces and to rebuild. Victor’s use of visual repetitions, scenes that reverberate through time, and thematic parallels give the film a rhythm that lingers in memory. In all these aspects, Sorry, Baby is not just a first feature but a powerful preview of Eva Victor’s cinematic identity.